NLC AND THE MOVIES

The amazing difference between a cd movie transforming into linearity and the singularity doing the same thing is that the universe does this without a projection device having speakers, screens, and projectors.  The universe incorporates all of these into the matrix we see as linearity.

This is true unless there is non-linear equipment at work, an unlikely scenario; however accepting the projection of the universe as something that just happens which science does routinely is equally absurd.

Non-linear information as used here functions in the same binary fashion but is not the kind of two bit information used for computing.  Information itself might be the wrong word just as calling it time is not accurate.  NLI must be defined initially by what we see, it is information that changes automatically in terms of state as it compresses and it carries both forces and dimensional characteristics from non-linearity outward.

While some features can be defined in terms of orbits or information theory, we can also look at a comparison to a black and white photograph changing into a cd quality color movie.  It is a seductively effective analog.  Imagine, for example that you had only seen silent movies your whole life, one frame at a time, and suddenly were confronted by a "talkie."  These types of transitions are not dissimilar in the informational content to the progression of clock times.

T0-photograph or a cd

T1-silent movie, black and white display

t2-talkie with the b/w display

t3-color

t4-3d-color

t5-we could say this is a 4-d film, but even a 3 dimensional file is only a two dimensional color movie with additional effects.   This is the black hole of movies, so it means something more than going from color to some hokey, not so special effect.  It is about quantum steps of conveying information.

A photograph locks in a moment, a singled quantum of time, a cd does the same thing with sequential or alternate steps.  A black a white movie takes the event and adds to it a series of associated sounds.  It begins by going from non-linearity (everything happening) to a situation where everything is moving.  Some movies are records of moving events, but others are “created” in digital form, the linear original being vastly different from the product displayed, however either way there is an act of creation. We have one photo or a series of photos.  The amount of information is greater, but it could also be broken down into individual frames.

The freezing into a frame is the dramatic first step.  Something dramatic has happened, a series of linear events have become non-linear and we're just increasing the number at one time.  Having multiple frozen events together makes no real difference; but the initial transition is recording information.  The idea of recording the universe is quite difference from the creation as a complete whole which is different from a randomly occurring universe, that is one in which creation is not implied but happens over time with true randomness which is the old physics model.

The first real difference is adding linearity.  Then you have space, the fabric on which and from which the rest of the film can be displayed.  The frames are all incorporated into this framework.  As more coordinates are changed at the same time you add more information, photon energy for the universe, sound for the analogy of the movie.

Next is t3, wave energy, and Color.  It looks so different, but is just one step closer to what was originally "captured" and "lineared" from a non-linear environment.

The difference between analog and digital is significant, for this analogy, analog film raises problems because we are not dealing with quantum phenomena in the universe.  But if we use the digital analogy, then something different begins to happen.  Each step in the process involves another layer of information quantized in individual bits.

Each step of complexity doesn't change the original linear scene that was captured.  However the number of components that are shown at once changes to enhance the view and take us closer and closer to the original.  The "information" has not changed in type, only the simultaneous display.

Now, we are looking at the capture in going from linear to non-linear, but when we play the movie we are going linear again.   It is a playback of what has happened already.  We can know what the cd holds, so we can know what the movie will hold.  It is a recording, all events are predestined.  We are never surprised to see the same ending in the movie and yet we expect a different outcome to be possible in life.

We expect that having more layers displayed would result in just more of the same as a single layer, a photograph, but instead we have added movement, sound, color and perhaps, in the next layer, something totally unexpected.  All sorts of equipment is necessary to get different results from information into a movie playback, but information of the type which makes up non-linearity only requires compression to alter the appearance.  Each quantum of Non-linear information functions as a nano-projector.