Proving mathematically time yields dimension-and now for something completely different-two of two:

Proving mathematically time yields dimension-and now for something completely different-two of two:
Before going further, let me mention that the only difference between using epsilon and snake symbols has to do with the number of points which are included. Epsilon using an infinitely small series (see the prior blogs and future blogs for infinite series discussions on the e-hologram universe) gets you to the same spot and integration is the mathematical equivalent of replacing the tedious business of trying to find the end of an infinite series with a mathematical tool that does the same thing which, for those of you who have read the infinite series discussions so far and who can stay with this to read those in the future will see this is both an illusion and a logical feature of e-hologram theory.
Anyway, on to the E-hologram theory which is that there is no "space-time" but only time and the singularity where everything happens at once (and without dimension).
This is complicated without pictures, but we're going to talk about snakes and delta some in this discussion, so if you haven't read the first part of the blog, even physicists will probably be befuddled by my descriptions, but that isn't my problem, is it?  Well, maybe it is, but it should make some sense as you read along.
We are going to integrate from one time to another.  You can call it moving along a line without time, but by theory, dimension and change are just other ways of saying "time" in e-hologram theory because everything happens at once and without space otherwise and if you don't like that you need to argue with Einstein, not me.  Fortunately, e-hologram theory doesn't completely rule out that conceptually but the great thing about theories is that they exist as long as proofs don't refute them and I'm operating under the conception that as long as I continue to prove that math follows e-hologram theory it works as well as any of the other Kooky things that people use to describe the infinite (infinitely small, large or series).
The key to this discussion is that when you move along a series in integration (or Epsilon summation for that matter) you do it with a change (delta) in something.  You can do it along a change in time or a change in dimension, but either way there is change.  The issue of the redundancy of delta time will be saved for a later entry, but we will address it given "time" (har har). 
Now to understand this better, you will have a chance to play god.  Note that e-hologram theory actually provides intuitively for a type of god (optional theory not fundamental theory of time) and it even provides for you to be a part of that god therefore this activity will not be blastfemous since it can hardly be blasphemy for a part of god to act like god (you'll have to look at prior blogs for more on this so that I can finish this entry).  So go and pick up a piece of paper and a pen, there has to be one around somewhere.
Now we will play two dimensional god.  To do this you will create time from a start to and end.  Note that time is a type of infinite series although there are explanations for it inherent in e-hologram theory which requires circular arguments because of the origination of time.  But for you to be a tdg you will be allowed a starting point and an end.  The physicists can skip to the next paragraph.
Whoops, hit the carriage return.  Time to quit babbling.  Ok, in the beginning there was a void without structure, but you have to start with a piece of paper.  God said "let there be light" which we now know is "let there be time".  Next we'll do the creation of heaven and earth.  Ready? Ok, First draw 3 or four points, then draw a line connecting the points, you can wave around as long as you don't loop (we'll discuss loops in another blog).  There you go, playing god, you should be ashamed of yourself.
Anyway, the point represent Epsilon (loosely, ok?) and the line represents the snake.  If  you want to go "3-d" you can draw another line under the first and connect the two with the top and bottom of a circle at the front and back which creates a cylinder.  Now you've done the two snake thing and played god to get three dimensional space.  Exhausting, right?  Now you know how god felt, but you haven't finished yet, because while you have used time, the movement over the paper to create 3 dimensional space (ha! bet you didn't see that coming) you are not fully convinced because you had to do this.  So you need to get twenty pieces of paper and redraw the same thing on each one with a small variation (this small variation will be important in later blogs) and when you're done "flip them".  The stack of papers represents the singularity where everything happens at once, the movement you see as you flip through them representing time being added.  How about that!
Think of the flipping of the papers is integration of the paper drawings.  We'll talk about binding those papers so you cannot shuffle them and flip them in a different order and why we are limited to the speed of light in the flipping at some later blog.  For now we're just dealing with change (time) and dimension.
The line is from point a to point b (continuously) so that the first point is at the snakes tail, the end of the line is at the head, the movement is a function (some are easier to show mathematically than others) over time along the x axis (delta (time) x).  If you didn't have a straight line then you moved along the y axis which gives you two dimensional space.  Now when you added the second snake you changed over a third axis (z) over time (delta (time) y).  You therefore show "two times" one in the x and one in the y dimension and have added a third timeover the z-axis.
The use of actual time in flipping these is a fouth application of time and requires the same type of movement as moving your pen along the other lines with the only difference being that you are able to reflip them without erasing everything.
The drawings represent the singluarity (everything happening at once) and the time as we experience it where the dimensions are displayed linearly (well here we had to do it sequentially as quantum points (individual pages) but that discussion gets us to one of those darn infinite series which we have to cover later) with the application of another type of time, but all use change, the movement on the pencil over the paper on the movement of the pages over the 3 dimensions created by the other 3 dimensions of time.
The key to the foregoing manifestations of time (and math) are that we were required to use time in order to create dimension.  The integration is over time (or over another dimension which is represented as time) but until you were able to move (requiring a "change" of position over "time")  you were unable to create dimension, you were stuck at the point.  This is both obvious and intuitive, but it is a mathematical proof that to create dimension you must integrate over something and the change required for active integration is what we refer to as time.
Disclaimer: The use of the greek alphabet dates back to the western co-opting of mathematics by pythagoras and the same concepts primarily come out the nearby middle east and are largely developed independly in Asia.  It comes as no shock given the circular nature of the universe (infinite series form circles and vice versa) that it would be the Greek alphabet.