There is so much to do, but I find myself unable to conver in detail the things that I need to cover, the relationship of zero to -1 now that I've shown the relationship of -1 to not -1 (aka 1). How exhausted I am.
I did finish the edits to "Notes From Venus" which I have now published (the third edition) on Kindle, perhaps it will be ready in the morning. I suggest you read it.
The hard copy will be ready soon, I hope.
This is my favorite part of the book, looking at all of the things which are answered by AuT, how amazing and complete the theory is.
The AuT List
The list of AuT explained phenomena is as long
as the list of phenomena. It explains how dimension and space time arise
from a non-dimensional framework; what the big bang was; when the universe will
stop expanding and why; what forces are and why their range is limited in some
cases and not in others; it explains what dark energy is and dark matter; it
explains anti-matter and gravity and explains why there is not as much
anti-matter as there is matter and why there is more dark energy than energy
and ties all of these together with a relatively simple model; among the litany
set out in the prior volumes. It replaces entropy with super symmetry
while redefining what symmetry is. It provides proofs both mathematically
and based on observation of observed phenomena.
AUT provides intuitive answers to what are mysteries of prior
models. It is worth generating a partial list. Aut provides: (1) a
specific model, which is not a field theory, that defines the relationship of
gravity to other forces; (2) the origin of space time, (3) the origin and cause
of quantum phenomena including force and matter, (4) algorithms in a non-space
environment giving rise to quantum points and the appearance of linearity
giving rise to quantum gravity and space-time and the relationship of gravity to other
forces, (5) the origin
of speed and force as relative changes between different compression or clock
time states, (6) why information transitions to time, dimensional features and
manifestations of force, (7) an explanation of how we experience clock time in
a quantum environment; (8) why time dilates relative to velocities and relative
to gravity, (9) the reason for exponential growth of information states and the
exact growth rates (10) the makeup of black holes and higher compression states
(11) the origins of what we have previously thought of as dark matter and
gravitational forces, (12) the reasons for the expansion and contraction of the
universe and the role that successive big bangs, as opposed to one, play in the
process of converging infinite series; (13) an explanation of dark energy
expanding the universe, (14) the origin of randomness and coincidence, (15) the
method that history and velocity is experienced in a quantum state universe,
(16) a way of eliminating (real as opposed to illusory) entropy from the
universe, (17) what light speed represents, and why history fades, and why we
have at least apparent (if not real) self-determination in a narrow range, the
middle range, of time states and that the control is based on slowing down one
directional change of one-point relative to another; the related issues of why
we experience time, why standard clock time and dimension disappears
at the speed of light (time dilation) and upon examination of smaller and
smaller states, the reasons for the perception of speed, an explanation of what black holes are and why
we can predict clock time 5, wave-particle duality, the origins of what we
have previously thought of as dark matter gravitational forces by way of
example.
AuT provides
answers to many unanswered questions; the minimum and fundamental size of black
holes, a concise description of the makeup of black holes, it eliminates the Higgs
Bosons, worm holes and strings. It eliminates the idea of a hologram universe, although
that is replaced by a singularity.
AuT redefines the
concept of randomness and entropy. It
provides a clear basis for standard clock time. It provides the origin of
forces and dimensional characteristics. While
the mathematics are surprisingly elegant, it has already joined information
theory with quantum mechanics in 24 months with no funding.
To say it is the equivalent of relativity is to
underplay the importance which is a very difficult statement to make since it
is built on the work of Einstein. More importantly it is built on the
work of Parmenides and provides a mathematical framework for the philosophical
groundbreaking work which was begun 2500 years ago.
The last important piece of this post is a special post about picking out horses:
There is something very attractive about these Arabian horses as you see them in their own country. They are spirited, fearless, sure-footed, and yet, as a rule, so docile that they may be ridden with a halter. They are good for a long journey, or a swift run, or a fantasia. The prevailing colour among them is gray, but you see many bays and sorrels and a few splendid blacks. An Arabian stallion satisfies the romantic ideal of how a horse ought to look. His arched neck, small head, large eyes wide apart, short body, round flanks, delicate pasterns, and little feet; the way he tosses his mane and cocks his flowing tail when he is on parade; the swiftness and spring of his gallop, the dainty grace of his walk—when you see these things you recognise at once the real, original horse which the painters used to depict in their "Portraits of General X on his Favourite Charger."
The last important piece of this post is a special post about picking out horses:
There is something very attractive about these Arabian horses as you see them in their own country. They are spirited, fearless, sure-footed, and yet, as a rule, so docile that they may be ridden with a halter. They are good for a long journey, or a swift run, or a fantasia. The prevailing colour among them is gray, but you see many bays and sorrels and a few splendid blacks. An Arabian stallion satisfies the romantic ideal of how a horse ought to look. His arched neck, small head, large eyes wide apart, short body, round flanks, delicate pasterns, and little feet; the way he tosses his mane and cocks his flowing tail when he is on parade; the swiftness and spring of his gallop, the dainty grace of his walk—when you see these things you recognise at once the real, original horse which the painters used to depict in their "Portraits of General X on his Favourite Charger."
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