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Sunday, December 16, 2018

The universe in 4 acts Act 2

The updates a little the  article which is a more dry and slightly more inaccurate version which was published in the Journal of Mathematical Physics October 24, 2018.

Two 2500 yard swims separated from a tough stair and weight workout.
What about today?  I don't know.
I am still working on Act 4, the finale.  It is a big outline, but in 4 acts if you can define everything in the universe, it is only right that the fourth one will drag on a bit.
I want to thank everyone for their comments, not that there are any comments, but it doesn't really matter.
The search for an accelerator continues although the holiday and this article, in its many forms, takes precedence.  I have been "invited" to submit the theory to another journal, the fairly prestigious "Advances in Theoretical Physics" and I have to consider that, the deadline being the 28th for the next edition, I expect to have something by then.
There are some new thoughts on the electron; the odd (T-13) vs even (t-16) as the odd even in light of these new drawings.  Now I know you are thinking that, T-12 electron plus T-12 bundle equals T-13?  The answer is that the T-12 measurement is just a weight thing, the T-13 is an observed necessity.

AuT is beyond all other theories because it eliminates fields and particles and even force, not necessarily in that order, thereyb simplifying the super-symetric matrix to the point that is can be presented without drawings, except as exemplary background sets.

And it is worth looking at this odd/even dichotomy more deeply since this new view gives a way to come to odd and even, positive and negative, not by the charge but by the exponents which seem to be increasingly prominent in the whole building and tearing down of dimesion as observed net effects.  But for the moment, let us look to theater and not physics as the curtain rises on...

Act 2 Dimension and force

Let your mind relax, gentle reader.  This play is designed to be easier to digest by appealng to your superstitions and prejudices rather than your science.
We are primitive things, glorying in our perceived domination over everything but death
which renders all our triumphs into dust.  Our spirit says our art saves us, when all it does is cool the fear and anger of our frustration at knowing the answers but being unwilling to admit them.
I think I can now set this out without any drawings, but I think accompanying it with drawings is not inconsistent with the composer as a poet and an artist and a background to the next act.

Dimension from space to black holes



Before we eliminate time
Before we render the forces powerless
We have to render the universe down to one thing
What thing?  Certainly not time

CT stood for "clock time"
An early bit of foolishness
When holograms, strings and other nonsense
clouded the view that would become AuT

How about force?
That thing which drives all things forward
The tool of Neuton, Einstein and Higgs?
No, 'Force is powerless;' an effect, like time

What is left, Without force we live in darkness
Without time things do not move, Or do they?
Thermodynamics are neither Therm, heat
Nor are they dynamic at the quantum level

Quantum snapshots
A universe of fixed solutions
points instead of lines
moving objects frozen in place

What is left but dimension
Not space, not length, something more fundamental
Fpix, the tricky denominator of pi
Not pi, not minus one, just the denominator

AuT began by understanding pi must be solved
Parmenides insisted, Zeno exemplified, Socrates humanized, Plato
They were Insight, proof, foolishness and poetry
The four steps towards and away from knowing

Snapshots meant discrete change
Someone one change for all
Time became a chimera
What did it disguise?

Quantum solution meant pi had to be solved
for a certain number of places
Four for space, a numerator of 1 for what
Four parts and black holes


Some answers we see
Ten to the sixteenth, 16 to the 32nd
Golden rule curves and circles
Some answers were hidden

We also had four forces
But were those separate
matching the four numerators
and what is force without time

A Oscam's answer
What god produced a model so simple
with such complex results
We should talk to god, in Act 4

For now let us look at the birth of dimension
Space a series of solutions
plus or minus with a fuse defined by fpix solutions
burning not according to time, but quantum changes in x

Space is nothing but the solutions,
Ten to one hundred and fifty of them
The shortest 3 counts of x
The longest ten to three hundred changes

And that number may be far too small
Because it assumes the universe we see is all
All we see is the space within our time
goldfish in a fishbowl made of time, explained in due course

Dimension flows rising towards positive compression
and ebbing towards unfolding with changes in x
A constant process, so fast we cannot see it
So slow we can live within it

Space folds into something i call charge
the move towards charge we see as gravity
the move away is velocity and dark energy
We only see the net effect because it occurs free of time

Charge folds into what I call photons
Not your father's photons
Folding photons create first waves then neutrons,
electro-magnetic energy then the strong force

Hidden in these folds are transitional states
T photons, then waves, then T-electrons
Odd and even exponents
Hiding some important view of math

They all align, you can bet on that
Because there is no randomness at the quantum level
Weak force the first steps building black holes as atoms
gravity merely dimension evolving from space

And so force is revealed for what it is
And for what it is not
It drives nothing in the universe
Only a mirror of building and crashing dimension

Even our movement through the great void
which is not a void at all
is merely the net winding and unwinding
of space into what I call charge

Space becomes too dense to move through
Instead it is absorbed to form gravity
and released to give movement
In this the weary travelor walks and thinks

Thus the curtain falls
on the second act
as we ponder what then time, movement
an intermission, then act 3







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